The Elitist Perception of Classical Music in the United States: A Historical Analysis
The Elitist Perception of Classical Music in the United States: A Historical Analysis
Introduction
Classical music has often been associated with elitism in the United States. This perception traces back to the 1950s and 1960s, a time when certain genres of music were considered beyond the reach of the general public. During this era, classical music was labeled as 'long hair' music, a term that reflects the societal attitudes towards deviance from mainstream culture.
The Perception of Elitism
During the era of the 50s and 60s, any form of what was perceived as sophisticated or privileged was frowned upon. This cultural milieu contributed significantly to the elitist perception of classical music. For instance, an adolescent with a preference for classical music would be considered a 'weirdo,' illustrating the stark divide between traditional and modern youth culture.
Classical Music in Popular Culture
The 1980s ushered in a significant change in the public perception of classical music. Movies such as "The Competition," "Mr. Holland’s Opus," "Moonstruck," "Apocalypse Now," and "Platoon" played a pivotal role in normalizing and popularizing classical music. These films helped to present classical music as integral to American life, thereby breaking its niche status.
The Global Attitudes
The elitist perception of classical music in the United States was, in part, influenced by global trends and attitudes. Historically, classical music has often been linked with the upper classes and was therefore perceived as exclusive. This perception was further entrenched by the composers and performers who often hailed from aristocratic backgrounds. However, the shift in the 80s marked a deliberate effort to democratize classical music and make it more accessible to the masses.
Changing Dynamics: From ‘Long Hair’ to Accepted
The changing dynamics of classical music in the United States can be attributed to a variety of factors, including the role of popular films. "Mr. Holland’s Opus" in particular, a film centered around a music teacher, underscored the transformative power of classical music. Moreover, the soundtrack of "Apocalypse Now," featuring classical pieces like Shostakovich's Pizzicato Variations, brought classical music into the mainstream. These cultural shifts helped to integrate classical music into the fabric of American life, making it more palatable to a broad audience.
Conclusion
From being stigmatized and viewed as exclusive, classical music in the United States has undergone a significant transformation over the decades. The cultural and societal changes that occurred, particularly during the 1980s, played a crucial role in promoting classical music as a universal and accepted form of art. Understanding the historical context and the influence of popular culture can provide valuable insights into how music has evolved and become integral to American life.